Noble Design & Media

Shelley Noble • Recent Print Design • Projects
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After the title and subtitle changed on Martha’s new MP3, I reworked the cover art to suit, including creating more of a nurturing bedtime lighting and shadowing on the type. View high resolution

After the title and subtitle changed on Martha’s new MP3, I reworked the cover art to suit, including creating more of a nurturing bedtime lighting and shadowing on the type.

Proposed cover (She LOVES IT!!) for iTunes MP3 of Martha’s latest release.
Designed to be part of her Martha’s Treats product collection. View high resolution

Proposed cover (She LOVES IT!!) for iTunes MP3 of Martha’s latest release.

Designed to be part of her Martha’s Treats product collection.

Offering three new ID marks for dear Brother-in-law, beginning a new exciting venture. View high resolution

Offering three new ID marks for dear Brother-in-law, beginning a new exciting venture.

The thoughtful Hay House UK Design Manager was terribly kind enough to mail me a few cover proofs from the printed Gounelle, The Man Who Wanted to be Happy UK cover.
It was very nicely printed. Their art department made a wonderful design for the back cover and spine, matching the cover style perfectly. Great work, folks! They had a gloss varnish applied to the title lettering and gerbera daisy with a flooding of matte finish over the rest, giving an appealing depth.
I absolutely love the results. View high resolution

The thoughtful Hay House UK Design Manager was terribly kind enough to mail me a few cover proofs from the printed Gounelle, The Man Who Wanted to be Happy UK cover.

It was very nicely printed. Their art department made a wonderful design for the back cover and spine, matching the cover style perfectly. Great work, folks! They had a gloss varnish applied to the title lettering and gerbera daisy with a flooding of matte finish over the rest, giving an appealing depth.

I absolutely love the results.

Just in from Hong Kong, Paul’s two newest titles in his series of books on abundance and prosperity with John-Roger. Filled with wonderful essays and quotes.
Living the Spiritual Principles of Abundance and Prosperity, Volume 2 and 3 (to be released next year),
Both English Editions View high resolution

Just in from Hong Kong, Paul’s two newest titles in his series of books on abundance and prosperity with John-Roger. Filled with wonderful essays and quotes.

Living the Spiritual Principles of Abundance and Prosperity, Volume 2 and 3 (to be released next year),

Both English Editions

Grateful to show the final Meditation cover as selected, surprisingly from back at round one level comps. Who knew?!

Grateful to show the final Meditation cover as selected, surprisingly from back at round one level comps. Who knew?!

The final comps selected for presentation to the authors. We’ll see how they respond. View high resolution

The final comps selected for presentation to the authors. We’ll see how they respond.

ROUND 2!!!!!! Careful re-working per the Art Director’s selections and my creating add’l options for her, here you see eight new solid cover concepts for Hay House to present to their groups. View high resolution

ROUND 2!!!!!! Careful re-working per the Art Director’s selections and my creating add’l options for her, here you see eight new solid cover concepts for Hay House to present to their groups.

The Final art for the selected cover for the UK Market. View high resolution

The Final art for the selected cover for the UK Market.

THRILLED!

The wonderful Art Director at Hay House just informed me that their UK offices wish to purchase the “Orange Gerbera” cover for The Man Who Wanted to Be Happy for their market!

(This is the design the UK office wants to buy bit.ly/tT2apT. This is the design the US office had already bought bit.ly/sQiUrY)

I LOVE that cover design as well and am completely delighted they wish to make use of it!

The selected cover, of this previous comp, as delivered. I punched up the colors used in the titling to catch the eye at small sizes, increasing readability.
I  warmed the hue of the author names, lowered the hand to increase the  air between names and title per the excellent Art Director notes. And  added an attractive bright sticker aligned with the text column.
There is still room for other author designations, such as “Bestselling Author”, etc. View high resolution

The selected cover, of this previous comp, as delivered. I punched up the colors used in the titling to catch the eye at small sizes, increasing readability.

I warmed the hue of the author names, lowered the hand to increase the air between names and title per the excellent Art Director notes. And added an attractive bright sticker aligned with the text column.

There is still room for other author designations, such as “Bestselling Author”, etc.

An Inside Graphics Moment:

In one  of the comps for Hay House title on Tapping, I photographed Paul making  an EFT gesture. The raw photo is on the left above. It took many  attempts to get a good angle for a vertical cover crop and to have both  of his hands photographed to be the same size with a 50mm lens.

A  camera’s 16:9 image ratio is very different than a 6” x 9” book cover  proportions. The corrected comp art on the right was achieve through  many hours of careful re-proportioning and editing. You’ll notice the  set of hands is much higher on his chest and yet still looks natural.  Even though the focus has been blurred for the emphasis,  you may still  see that the shirt edges, zipper dings, chocolate on lips, and shoulder  wrinkles were perfected. Since the cover should be made to appeal to as  many types of readers as possible, I also tried to smooth Paul out, not  enough to call attention to that, but enough to make his age and  ethnicity as neutral feeling as possible. View high resolution

An Inside Graphics Moment:

In one of the comps for Hay House title on Tapping, I photographed Paul making an EFT gesture. The raw photo is on the left above. It took many attempts to get a good angle for a vertical cover crop and to have both of his hands photographed to be the same size with a 50mm lens.

A camera’s 16:9 image ratio is very different than a 6” x 9” book cover proportions. The corrected comp art on the right was achieve through many hours of careful re-proportioning and editing. You’ll notice the set of hands is much higher on his chest and yet still looks natural. Even though the focus has been blurred for the emphasis,  you may still see that the shirt edges, zipper dings, chocolate on lips, and shoulder wrinkles were perfected. Since the cover should be made to appeal to as many types of readers as possible, I also tried to smooth Paul out, not enough to call attention to that, but enough to make his age and ethnicity as neutral feeling as possible.

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